Lichte bis dichte, komplexe und gezoomte All-over-Komposition als Ausschnitt aus Arbeitsprobe Nr. 2 (aus der Werkreihe: Homage to Verner Panton, Between surreally, imaginarily and symbolically charged Organic Abstractions and Pure Abstract Organic Art - with smooth (soft) and round(ed) shapes - und Hard- and at the same time soft-edged, sharp and at the same time diffuse and inside empty sprayed - smoothly (softly), fluidly, curved and round(ed) dimensioned - organic (biomorphic) negative shapes over Hard-edged (sharp and clear) and inside diffuse (nebulous) and translucent sprayed, - smoothly (softly), fluidly, curved and round(ed) dimensioned - organic (biomorphic) positive shapes), 2004, Sprays und aus der Hand zugeschnittene Positiv- und Negativschablonen (aus Papier) auf Pergamentpapier, 23.5 x 44.3 cm
238  /  267